Download PDF Nausea (New Directions Paperbook), by Jean-Paul Sartre

By Januari 20, 2017

Download PDF Nausea (New Directions Paperbook), by Jean-Paul Sartre

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Nausea (New Directions Paperbook), by Jean-Paul Sartre

Nausea (New Directions Paperbook), by Jean-Paul Sartre


Nausea (New Directions Paperbook), by Jean-Paul Sartre


Download PDF Nausea (New Directions Paperbook), by Jean-Paul Sartre

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Nausea (New Directions Paperbook), by Jean-Paul Sartre

About the Author

Jean-Paul Sartre was a prolific philosopher, novelist, public intellectual, biographer, playwright and founder of the journal Les Temps Modernes. Born in Paris in 1905 and died in 1980, Sartre was awarded the Nobel Prize for Literature in 1964―and turned it down. His books include Nausea, Intimacy, The Flies, No Exit, Sartre’s War Diaries,Critique of Dialectical Reason, and the monumental treatise Being and Nothingness.Richard Howard is the author of eleven books of poetry, including Untitled Subjects, which won the Pulitzer Prize in 1970. He is the translator for more than 150 works from the French language. He received the American Book Award for his translation of Charles Baudelaire’s Les Fleurs du Mal.James Wood, the prominent critic, essayist, and novelist, is a professor at Harvard and a staff writer for The New Yorker. Born in Durham, England, he began his career at The Guardian and later became a senior editor at The New Republic. He currently serves on the editorial board of The London Review of Books and The Common in Cambridge, MA. His books include The Irresponsible Self: On Laughter and the Novel, How Fiction Works, and, most recently, The Fun Stuff: And Other Essays.

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Product details

Series: New Directions Paperbook

Paperback: 192 pages

Publisher: New Directions; Reprint edition (March 25, 2013)

Language: English

ISBN-10: 9780811220309

ISBN-13: 978-0811220309

ASIN: 0811220303

Product Dimensions:

5.2 x 0.6 x 8 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

162 customer reviews

Amazon Best Sellers Rank:

#14,568 in Books (See Top 100 in Books)

This is an interesting, thought-provoking, "deep" novel. This is not a fast-paced, plot-heavy novel. It is not intended to be that. It is intended to make you think. You can read the other reviews for what the book is about. My take on it is that it is a very thought-provoking, and sometimes confusing (in a good way) way of thinking. I really was not following the beginning of the book ("What is the point of this book?!"), but, as other reviewers' suggested, I kept reading and about 1/2 or 2/3 or the way through, it came together.During the last third, you really get an insight of the main character's mind/way of thinking. It lays out a bare existence of reality, which, to some means it is bleak, while to others it means it is hopeful. Sartre was of the latter view and this is how I suggest you read/interpret it. It is actually quite beautiful in the way that it can provoke these two views simultaneously.I initially bought Being and Nothingness, then was suggested the Transcendental Ego as an intro, and then was suggested Nausea as a prelude into those other books. I think this is a good order to read the books, if you want to get anything out of Being and Nothingness (Nausea -> Transcendental Ego->Being and Nothingness).Keep reading until the end! It's a short book and won't take forever. If you are invested in trying to understand Being and Nothingness (which is a behemoth and will take forever to read), read this first, along with Transcendental Ego, so you don't feel like you're wasting time on B&N.Enjoy!

EDIT: Just wanted to clarify that it was Baudelaire who utilized the flaneur and not Baudrillard. That was an error in my typing. Also wanted to mention it's Bouvile and not Paris as a commenter, Francis, helpfully pointed out.Hey, I’m a pessimist. There, I said it. I’m already horrified at my existence. I don’t need anyone else doing it for me, but that’s exactly what Jean-Paul Sartre did in Nausea, the story of a writer (Anton Roquentin) who becomes horrified by his own existence while working on a novel about a historical figure. Over the course of the novel, in true existentialist fashion, Roquentin wonders about the purpose of his life, whether or not he really has free will, the idea of “adventure,” and what it all means. In other words, if you talk to me for more than ten minutes at a time, you’ll be hearing the gist of this novel. It’s not the kind of book you can breeze through. It’s heavy, both in subject matter and in density.I was actually surprised how much a French history course from my college days came up here. I instantly thought of the idea of the flaneur, which was essentially a person who walked, wandered around, and just observed. Roquentin spends a lot of time as a flaneur, wandering around Bouville and observing the lives of others. His perceived invisibility during his walks make him seem very much in the tradition of Baudelaire’s flaneur. These are the guys that stare at you when you’re out at the store.I’ll be honest–I read Nausea in tandem with the Sparknotes on the novel. The novel is under 200 pages, but there’s a lot to unpack in this novel, and there are a lot of cultural references that I wanted to be sure I wouldn’t miss. This is the type of novel that all novels should aspire to be--every detail is significant.Roquentin looks to the Marquis de Rollebon to try to figure out his own existence, but he struggles to find anything definitive about the past, so he is forced to turn to the present. Even Roquentin’s writings about Rollebon seem more like they’re based on his own life, so he’s also calling objectivity into question. Finally, by comparing his own life to that of the Marquis, Roquentin brings up the idea of a duality present in existentialism–the conscious self and the kind of internal “other” that observes that conscious self. To Roquentin, little seems to make sense.And this was only about 50 pages in. See what I mean?

Sartre was a great novelist and NAUSEA is his masterpiece. As a philosopher, he was a major influence, but his vision was dubious, a "romantic rationalism", as Iris Murdoch characterized it.He does better fleshing out his ideas into fiction, especially in this modern classic (Penguin applies the term properly this time). I can't imagine any reader beginning this novel and not reading to the end. (Incidentally, the black woman singing the recording of "Some of These Days" is a figment of Sartre's imagination, unless he thought Sophie Tucker was black.)The translation by Robert Baldick is a vast improvement over the earlier version by Lloyd Alexander (which contains the famous mistranslation of the phrase "foret des vergers" as well a few other howlers).Too bad Sartre gave up the novel after his ROADS TO FREEDOM series, the first two volumes of which are quite good, if not the equal of NAUSEA. Of his later works only WORDS really rises to greatness, though his study of Baudelaire is worth looking up.

Sartre, like his fellow French Existentialist proponent, Albert Camus, is always an enjoyable writer because his characters and the lives they live are primary examples of real human beings caught in a universe encased by an endless void of nothingness out of which every individual must create his or her own meaning while taking responsibility for their own choices and conduct. There is not another school of philosophy that describes twentieth and twenty-first century life so well with its propensity for war and evil human conduct that goes seemingly unpunished. Man may be alone, but he has been given the ability, along with others, to love and maintain his own self-created ethical standards as he remains stranded on his lonely island surrounded by an inescapable, endless sea.

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